These tips were suggested when I still used 35mm Film cameras. I will be updating this to included tips with a digital camera as well.


Cameras:

There are 2 basic types of cameras, small point and shoot, the most affordable and most common, and the 35mm SLR. Small point and shoot cameras now come with zoom lenses, which let you capture details at a distance. They take great photos during the daytime, but they have severe limitations at night. They can act as a back up camera or to carry in your bunker coat or car. They are relativity inexpensive. If you were just starting out or a seasoned professional I would suggest buying one. The Auto-Focus 35mm SLR is the most used camera in taking those pictures you see here and in many of the fire service magazines. My first camera was a manual focus Konica fp1. I still have it and it has taken some very good pictures. Now I use all Canon equipment, which I think, is the best stuff around. I would suggest going to several camera stores and try all of the cameras that you can. IF you get a name brand camera, then you will be ok. The model you find affordable, comfortable and easy to use is what you should get. The main thing to remember is that you do not have to spend thousands of dollars for state of the art equipment, you need only to know how to use the equipment that you have.

Lenses:

Today zoom lenses are the way to go. They are very well made and can save a lot of weight in your camera bag. I would suggest having a wide angle, short telephoto, and a medium telephoto lens in your bag. This could be a 17-35mm, then a 28-70mm, and finally a 70-200mm. Here you would have covered from 17-200mm, which is very good. And if you have 2 camera bodies then you could be using 2 lenses at once. You should buy the best lenses that you can afford. If you own a Canon EOS-1, then I would buy canon lenses.  When you buy the lens, you should also be looking at the f-stop. This device regulates how much light gets to the shutter. The lower the number the better (heavier, and more expensive) the lens will be, and the better the lens will function in low light situations. Wide-angle lenses are ideal for capturing the action in a narrow or congested area where a lot of stuff is happening, like in the front of the building. They are also good for large fires where you can get a shot of fire and smoke conditions involving several floors of the building. One thing to be careful about is if you point the camera to high. This could distort the image, so just be careful. Short telephoto is my main lens on my camera and it takes 90% of my images. I use a 28-70mm 2.8L which is canons professional lens in this category. This lens is great; cause I can take wide angle shots and still gets relatively good shots of the guys on the roof. Medium telephotos let you zoom in on the action. It will help you get pictures when fire conditions, smoke, fire lines or irate fire police won’t permit you to move closer to the action. The everyday use of this lens would be for close up shots of firefighters operating hose lines, elevated platforms, ladder pipes, or a truck mounted deck pipe. The main disadvantage of this lens is that it needs to be held very steady. The larger the lens in size (e.g. 400mm) the harder it will to be hold it steady. Especially if it is cold or windy outside. To keep the camera steady, you can brace yourself against the side of a building or fire truck. If you have a large fire, and you have a tripod, then you should have no problem with the camera moving, just mount your lens on the tripod and you are all set.

Film:

Film comes in a variety of brands, speeds, exposures and prices. The lower the speed (25,64,100 asa) the better the colors and the sharper the picture. Low speed film is ideal for daytime use. The higher the speed (200,400,1000) the more sensitive the film is to light, making it ideal for nighttime use. Whether you want to display your photos in a album of project them on a screen will determine whether you want to take prints or slides. If you play to shoot pictures for publication in magazines, calendars etc. then you will need to shoot slides cause the editors will always choose a slide over a print cause it will reproduce better in their publication. Most newspapers cannot use slides and only will use prints. So you will need to know what you plan to do with the images before the Fire. A way around this is to use 2 cameras and have slide film in one and print in the other. For me, if it is a big fire, or a newsworthy incident, then I will shoot slide film first then switch to print film you can always make prints from slides if you need to. Make sure you have enough film in your bag at all times cause you never know what will happen or how large the fire could get. If you are going to be serious about fireground photography, expect the unexpected.

Flashes:

Flashes come in many styles, shapes, and prices. When teamed with various types of film, they are rated in guide numbers. The higher the guide number, the more powerful the flash and the further the flash will reach. Most flashes on point and shoot cameras are good for only a few feet. When buying a flash look at the manual or ask what the guide number is when teamed with different kinds of film. As a example when you use 400-speed film with a vivitar 283 flash, you will get a guide number of 240. I have used this flash for a long time and is dependable. It is also inexpensive. After you have a flash, READ the instructions and take several practice rolls of film to get used to it, go to a drill at night and try all of the settings to see which works right. Flashes run on batteries. Normal batteries are cheap, but do not last long. You should consider buying a battery pack to power your flash. This was one of the first things that I bought. You cannot take pictures at night if your flash runs out of batteries. Even if you have a battery pack you should still carry back up batteries. Remember expect the unexpected. One last thing about flashes is when it is snowing at night you should not use a flash cause it will reflect the snow in your picture and you will not see much, in this case you should try to use existing light or the lights from the apparatus.

Types of Fire ground photos:

Daytime:

Taking pictures in the daytime is easy. Try to vary your angles and vantagepoints. Use your zoom lens to capture the overall scene as you approach. Once at the fire you can focus on the fire itself. Look for hose lines going in the building, or outside ventilation being done. The possibilities are almost endless. Try to keep the sun at your back and always use the light to your advantage. If it is overcast or the smoke blocks the sun, consider using your flash, you will be surprised at how much it will brighten the scene. Every photographers shooting style is different, some like "smoke" pictures, some like only close-ups, but I always try to photograph the firefighters working with fire visible in the picture, I find that this is what most people want. Vary your pictures by turning your camera. Take the same shot vertically or horizontally you will be surprised at the different shots you can get. Take vertical shots of aerial apparatus in use to show height, or try to get above the fire in a adjoining building to look down on the scene. Always move around the scene if police and fire lines do not hinder you. DO NOT develop cement feet and stay in the same place and snapping shots every few minutes. Your pictures will not be that good. There WILL be a time when you will not be able to move around, but always try.

Night time:

Photographing fires at night requires that you use your flash. If you do not use a flash, all that you will record is flames, with not detail of the building or the firefighters around it. The other tips in the daytime tip apply here to. There are some neat things you can do at night without a flash called existing light shots. This is when you do not use your flash and use a slow shutter speed. Warning lights, headlights, and streetlights can transpose a dreary scene into one that is dramatic and colorful. Make sure that you stand to the side and do not shoot directly into the lights.

Before the fire:

Past experience shows that seconds count in fireground photography. You may only have to go a short distance to discover that the fire is out. It is also to arrive at a scene and discover that you only have 4 shots left on your camera with no more film. If the fire is still going good you will get a second chance by reloading, but if the firefighters are extinguishing the flames you will probably be out of luck. To make every second count, make sure you camera bag is always accessible and that every piece of equipment is ready to go. Your batteries are fresh, film is ready, and you remember how to use your stuff. Make sure your equipment is ready cause it can make the difference between a big disappointment and an exceptional shot.